Dredd 2012 Fullhd Film Izle

Dredd Fullhd Film Izle 2012

devam : 197 an Wahlresultat
önerme miktar : 3.9/10 (82486 oylamak)
bünye : MP4 720p
HDTS
incelemek : 6490
sanatsal : Standort , Test
mesleki dil : SG,JM,IE,TW,HT,AZ,BM,GD,PRK, RUS, TCA, LTU, UMI
saymak : 4.9/10 (95673 Stimmrecht)

Dredd 2012 Fullhd Film Izle

Dredd Fullhd Film Izle-agora-mit untertitel-2012-stream-AAF-ganzer film-BDRip-MPG-BRRip-TVrip-online schauen-WEBrip-ASF.mp4

Dredd-imdb-puanı-stream hd-2012-DVDrip-Sonics-DDP-Dolby Digital-hd stream-online schauen-blu ray-stream-HDTV-AVCHD-englisch.png

I like this movie more than the one with Silvester Stallone. Nice slowmotion shots and a good story for an action movie.
This film blow me away! I was not expecting this, a cop (a judge) based in the future with high violent's and great characters. You will think you will hate Dredd but you wont.
I think this adaptation of the Judge Dredd comics books are a much more how most people probably would expect that a Judge Dredd movie should be, especially compared to the rather disappointing 1995 version. That of course means that the movie is quite violent. Anyone who has ever read the comics should not be surprised about the fact that this movie is mostly about taking out the bad guys, and if you cannot take out the bad guys using violence then just use more violence.

Except for a few gripes that I will come to I quite liked this movie. The plot is a fairly simple one but it is also a plot that I would not have been surprised to find in one of the 2000 AD comics. It is a quite suitable plot for a Judge Dredd movie. The plot centres around the drug “Slo-Mo” which slows down your perception of time. This of course gave the director carte blanche to use extreme slow motion effects which could have been quite annoying if overdone. I think it is used quite well in this movie though. I especially liked the effects on the people standing behind the door that Dredd blew in at the beginning of the movie.

Judge Dredd himself is well played by Karl Urban and, thankfully, he does not remove the helmet in this movie. I’m sure it was done to satisfy Stallone’s ego in the 1995 movie and it was one of the things that ruined it. Judge Dredd is not supposed to remove his helmet, period. “Ma-Ma” is also a quite okay bad guy for this movie. Sufficiently psychopathic yet intelligent and rational enough to make a believable, at least as believable as a Judge Dredd villain can be, adversary to Dredd.

I have a few gripes about the movie though. My main gripe is that it is not the ultra-modern city from the comics, at least from the comics that I have read since I have not read them all. It is more of a bunch of mega-scrapers spread out among the city slum that is left from today and still looks very non-futuristic. The initial chase scene is done using an old Volkswagen van for Christ sake. I really did not like that and, as far as I am concerned, it lost a star for that. If I remember the comics correctly MegaCity One was built more or less on top of the old ruins.

Another thing that I did not like was the crooked judges. Ii is possible that they used the concept of a bad judge in some of the comics, I do not remember, but I still did not like it. The judges are supposed to be above “ordinary people”. I am sure that they could have come up with some other plot element than that.

Anyway, the bottom line is that I quite enjoyed the movie. The fact that the DTS-HD Master Audio sound on my Blu-ray copy was excellent did add to the enjoyment of course. The surround and LFE effects was quite powerful yet balanced so they did not cause my somewhat weak subwoofer to go into resonance. Very enjoyable movie evening indeed.
About a million years ago (1980-85ish), when I was a boy, I bought a comic each and every week called 2000AD. And I loved it. I mean, properly LOVED it. The flagship strip in this publication was (and all these years later, remains) Judge Dredd. The titular lead character (his name, a play on that of novelty UK ska/reggae artist Judge Dread - who himself lifted the moniker from a Prince Buster tune - although there any similarity ends, absolutely) was a "Judge", a one-tier law enforcement agent with the authority to arrest, charge, try and sentence perpetrators of crime on the spot (including issuing the death sentence, a sentence dealt out frequently), operating in the early 22nd century in Mega City One, a post-apocalyptic overpopulated dystopian conurbation stretching from Boston to Washington DC. A grim, violent piece, it nevertheless managed to mine some gallows humour from the ultra-right wing dispensing of justice, especially as doled out by our perpetually helmeted Dirty Harry-style anti-hero (of course, Harry Callaghan was constantly railing against the system. Not so Joe Dredd; he WAS the f*cking system).

There were many different colourful characters within the pages of 2000AD but Dredd was by far the favourite (generally speaking; My personal favourite was Strontium Dog, followed closely by Nemesis the Warlock and The A.B.C. Warriors) and was always the one most ripe for a possible movie adaptation somewhere down the line. And so it was that in 1994 promising British director Danny Cannon was attached to direct Judge Dredd - the next Sylvester Stallone movie. D'Oh! Anyway, the movie was released in 1995 and it was pretty-much a travesty, top-to-bottom. Cannon, it appeared, was simply hired to be Stallone's bitch, and despite the thing looking the part (the art department deserve some props for that film, you know) Stallone seemed determined to kick any in-place mythology straight in the bin if he didn't fancy it (Dredd never takes his helmet off, because the law is faceless, or something; Stallone takes his helmet off. Judges don't have relations with one another; Dredd develops a love interest with comic strip regular Judge Hershey. Thuggish recurring anti-hero Fergee is reduced to comic relief, major MAJOR Dredd arch-enemies The Angel Gang are reduced to one-scene throwaways and a robot looking A LOT like Hammerstein from The A.B.C. Warriors is introduced for no good reason whatsoever).

And that, it seemed, was that. Nice one, Sly.

Until now. Finally, almost two decades of time and blockbuster, money-spinning superhero comic adaptations at the cinemas seems to have washed much of the foul stench of Sylvesters "oeuf de poo-poo" away, and for the final flush, here at last is the reboot: Dredd, starring Karl Urban (The Bourne Supremacy, Doom) and directed by Pete Travis (Vantage Point, Endgame) with a budget half that of its turkey-basted predecessor (more like a quarter when adjusting for inflation). So, what's it like? Well, if you're a fan of the source material you're going to have to throw out all of your notions of what Dredd and his Mega City environment should look like. Although neither nailed it aesthetically, the Cannon/Stallone movie looks the part more than this one. Until someone wants to commit Avatar-sized monies to the project, I don't know if anyone will ever truly nail it. No, this one is a rough and dirty thing, reminiscent of the sort of nasty, faceless sh*tholes you'll find in the Death Wish franchise of movies. Still, beauty's only skin-deep, they say, and what's important is that this movie captures the eighties vision of dystopian future in exactly the manner that Judge Dredd the comic strip did all those years ago. It "feels" like Judge Dredd, in a way that the Stallone movie never did, despite oh-so-many more bells and whistles.

The plot? The plot is simplicity itself. Dredd is assigned to accompany and evaluate new recruit Anderson (Olivia Thirlby), a mutant who failed the Judge's aptitude test by a hair's breadth but who possesses a remarkable psychic ability to read peoples' minds, which the Justice Department obviously would want to exploit, IF Dredd decides that she can cut it as a Judge. Out they go to investigate a triple gangland-style execution in the Peach Trees city block, one of the thousands of futuristic high-rises that can hold 70,000 inhabitants, many of whom never have to leave the block in their entire lives. This particular block is ruled over by drug boss Ma-Ma (Lena Headey, 300), who ordered the executions. In an early exchange, Dredd & Anderson capture one of Ma-Ma's goons, and Anderson ascertains via her psychic skills that this particular goon was among those directly responsible for the executions. They decide to take him back to the Hall of Justice for questioning so's they can get the goods on head honcho Ma-Ma and her drug-traffiking industry but before they can do so, Ma-Ma seizes control of the security department of the block, locks the entire place down trapping the judges inside, and tells everybody inside to either help her kill the judges or get the f*ck out of her way; anyone helping the judges can expect to be killed too. So, Dredd and Anderson can either hide out until backup arrives, try to break out of the block somehow, or go up the building and after Ma-Ma, to kill her before she kills them. Which of those options do you suppose our man is going to go for?

In many ways, this film could've been called "Anderson" rather than "Dredd" (though obviously that wouldn't have been as marketable) since it's Anderson - played to just the right tone by Olivia Thirlby - who grows throughout this movie. And that's as it should be with Dredd: he DOESN'T change, he DOESN'T grow. He is a rock, a constant. Karl Urban - a childhood fan of Dredd himself - understands this and plays him to perfection (WITHOUT removing his helmet once; again, as it should be. Poxy Stallone). He's Robocop, without the warmth. For me though, the standout is Lena Headey. I wasn't enamoured at all with the idea of a "new" character as the main antagonist, and some whore-turned-druglord just smelled like that first "market" scene in Hannibal to me. But she's brilliant, really vicious. And the drug that Ma-Ma is pushing - Slo-Mo, which causes users to experience time at a tiny fraction of its real speed - allows us to view things through the eyes of the users, which in turn allows for some excellent slow-motion ballets of gruesome violence. And whilst the gore stays just-about on the cartoonish edge of things, this IS a very, VERY gruesome movie. About as gory as I've ever seen outside of the horror genre. But it moves at a real lick, it never lets up and it's all done and dusted inside the 90-minute mark. Lovely.

As of this writing, Dredd hasn't made its money back at the cinemas; a shame for a film that has had largely positive reviews and word-of-mouth. Still, it'll definitely go into the black when the DVD/blu-rays are released in the next couple of weeks, and that'll hopefully trigger a sequel or even the trilogy that writer Alex Garland wants to make. According to him, Dredd III - if it gets that far - will feature the Dark Judges. And that thought makes me quiver with excitement, like a boy reading his first copy of 2000AD, a million years ago.
So, nothing new under the sun. The same boring story and characters mixed in another movie. The only thing remarkable in this movie is the slow motion used during the drug usage, which is not much to say.
I really was quite a fan of Dredd, I thought the actors, post-staff, director, writers and cinematographer all did an outstanding job. However, there is one man in the crew who makes the rest look bad.
By comparison.
Because Paul Leonard-Morgan's soundtrack is by leaps and bounds the standout piece of what was already a decent film by its own right. His work on Dredd is praise enough (he also did spectacular thing's for Limitless in 2011).
I never got into the deeper Judge Dredd universe (ie. 2000 AD comics) and almost all of my knowledge comes from cursory internet searches, and that "Dredd VS Death" video game. But from what I can gather, Dredd is a more honest depiction of the source material than the Stallone-led Judge Dredd of '95.
So the music is outstanding, the Slow-Mo scenes are innovative and spectacularly produced and the specialised ammunition are astounding to watch. These are the three best parts of the film, in descending order, which to be fair, means that the gimmicks of Dredd are its most impressive feature. It's story is not broad (More of a "day in the life" than "save the human race" deal) and its characters are not greatly explored (though certainly not shallow), and it's mostly held together by these aforementioned "gimmicks", but more power to them! Better to have a solid baseline interconnected with deeply original fascination, than to have a boring rehashed piece of crap baseline, loosely stapled together with some poor excuse for dumping the same cliche $100,000 CGI explosions we've already seen four hundred times this quarter.
Surprisingly, New Zealender Karl Urban (Star Trek, Star Trek: Into Darkness, LotR trilogy) makes for a better Dredd than I'd anticipated. Having a psychic was something I was initially sceptical of, too, however Olivia Thrilby (Juno, The Darkest Hour) put my concerns to rest after a long enough period to buy her role (about 25 minutes). And Lena Headey (Sarah Connor Chronicles, The Purge, Game of Thrones) I've liked since she played Queen Gorgo from 300 nearly a decade ago, so she"s always a safe bet in my books, particularly in the role of relentless druglord Ma-Ma, she really is at home playing ruthless women of power, isn't she?
That all said, Dredd is not the best film I've ever seen. It's not even the best action-focused science-fiction film released in 2012 I've ever seen. But it takes risks, and that's nothing to be scoffed at. We need more Dredd's in our film industries, something to break up the monotony of most of Hollywood. Something that doesn't need to go big, or tick x amount of acceptability boxes, it's satisfied just being good.
77%

-Gimly
Incendiary!

Dredd is directed by Pete Travis and written by Alex Garland. It stars Karl Urban, Olivia Thirlby, Lena Headey and Wood Harris. Music is by Paul Leonard-Morgan and cinematography by Anthony Dod Mantle.

Review for 2D Version Only.

Sylvester Stallone' 1995 attempt at bringing Judge Dredd to the big screen was met with a critical mauling, both professionally and by serious fans of the 2000AD comic books from whence the character came. On its own terms it's a fun popcorn piece, but one that totally missed the fascist grime of the source. Here however, under the guidance of Travis and Garland, Dredd gets the picture the fans and the character deserves.

Plot is simple, we are in a dystopian future in a place known as Mega-City One. The only law and order are the Judges who are able to act as judge, jury and executioner. One such feared judge is Judge Dredd (Urban) and when he and his partner in training, Anderson (Thirlby), answer a call to a triple homicide at the multi storey slum tenement known as Peach Trees, they are locked in by crime boss Ma-Ma (Headey) and forced to defend themselves against practically everyone who resides there.

This is stripped down to the essence of what makes Judge Dredd such a beloved character in comic book lore. There's no need for backstories, love interests or comedy side-kicks, this is bad ass characters from either side of the law going at it full throttle. The action is unrelenting and explosive in its construction, bloody and brutal into the bargain as well.

Dredd the character is rightly kept to a basic level, he's a hard dude in a suit and helmet, with an arsenal of weapons upon his person and he delivers short sharp shock pieces of dialogue with gruff assertiveness. Anderson is a mutant of sorts, she can read minds, which superbly adds spice to this fight for survival narrative. Ma-Ma is a damaged villain, disgustingly menacing without histrionics, it's her calmness that's so terrifying.

At the core of the criminal activities fronted by Ma-Ma is a new drug called Slo-Mo, a drug that reduces the brain's perception to 1% of speed. This allows the makers to bring some dazzling effects into play whilst setting up some blood letting scenarios. The production design is top draw, where Mega-City One has a perfect totalitarianism sheen to it, which in turn is boosted by Dod Mantle's excellent colour lenses.

With Urban perfectly cast and his two lady co-stars also firing, Dredd is a thrilling action sci-fi movie. It doesn't push new boundaries and raise the bar per se, but it keeps the fires well and truly burning in the genre whilst appeasing the fans wholesale. 8/10

"

[HD] Dredd 2012 Fullhd Film Izle

Kısa film

Harcandı : $547,424,932

Gelir : $131,971,038

Kategoriler : Wissen - Exil , Test - Terrorismus , Egal - Guilty , Arbeit - Familie

Üretici Ülke : Indonesien

Prodüksiyon : Symphony Pictures

In the future, America is a dystopian wasteland. The latest scourge is Ma-Ma, a prostitute-turned-drug pusher with a dangerous new drug and aims to take over the city. The only possibility of stopping her is an elite group of urban police called Judges, who combine the duties of judge, jury and executioner to deliver a brutal brand of swift justice. But even the top-ranking Judge, Dredd, discovers that taking down Ma-Ma isn’t as easy as it seems in this explosive adaptation of the hugely popular comic series.
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Bridge of Spies 2015 Fullhd Film Izle

Bridge of Spies Fullhd Film Izle 2015

süre : 161 tutanak tutmak Wahlresultat
oylama adet : 8.6/10 (51959 önermek)
kalite : DTS 720p
WEBrip
seyretmek : 8004
beceri : Gut , Karate
lisan : VU,BE,AG,LB,CA,PS,BD,MF,PNG, LIE, BDI, BHS, MLI
içermek : 8.0/10 (14203 Stimmen,
)

Bridge of Spies 2015 Fullhd Film Izle

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Steven Spielberg really knows how to craft movies and this is a very good example. A simple and good story, well scripted, with a well chosen cast and with Tom Hanks, who keep giving us great performances.

Amy Ryan does a great job, which is even better in the case of Mark Rylance.
> Totally unexpected PG-13 rated negotiation-drama based on the Cold War.

The movie that should have been made 50 years ago, but due to the international political tension it did not take off. So now it's here, the same director made it. It's a rocking combo, once again Spielberg and Hanks come together, tell me who's going to miss that. Simply spellbinding, one of the best movie of the year.

I think this flick is for adults. There's no sex, no nudity, not even a single kiss or the bad language and zero violence, its fine for teens and kids can understand, but the story is what I meant that suits only for the grown ups. Like the usual, this Spielberg movie is easy to follow, there's no tricky twists and turns, but aimed for only the event that's based on the real.

Over a 2 hour long negotiation drama with surrounded by suspense and thrills. It's completely a one man show and the end has been just like everybody wanted. I'm not surprised that it is nominated for the Oscars in the 6 categories including the best motion picture. I would be very happy if it puts at least a couple of trophies to its basket. I feel it is a must see if you're interested in WWII related subjects, other than the war.

8½/10
Mark Rylance is brilliant in this film. Tom Hanks does his usual excellent performance. I don't know much about Mark Rylance. Maybe he is one of those rare brilliant actors who just hasn't had the accolades he deserves. I am sure that if you asked him if he was worried about his lack of recognition, that he would simply say "would it help?"

"

[HD] Bridge of Spies 2015 Fullhd Film Izle

Kısa film

Harcandı : $936,158,162

Gelir : $996,313,317

Kategoriler : Blaxploitation - Demut , Leben - Vernachlässigung , Kontroverse - Immortality , ein Gesetz dunkle Feinde - Monster

Üretici Ülke : Thailand

Prodüksiyon : Pink TV

During the Cold War, the Soviet Union captures U.S. pilot Francis Gary Powers after shooting down his U-2 spy plane. Sentenced to 10 years in prison, Powers' only hope is New York lawyer James Donovan, recruited by a CIA operative to negotiate his release. Donovan boards a plane to Berlin, hoping to win the young man's freedom through a prisoner exchange. If all goes well, the Russians would get Rudolf Abel, the convicted spy who Donovan defended in court.
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Snowbound 2017 Fullhd Film Izle

Snowbound Fullhd Film Izle 2017

devam : 166 zabıt tutmak Wählerstimme
karar hoş şey : 1.1/10 (65163 oylayarak kararlaştırmak)
özellik : WMV 720p
BDRip
görünüm : 9515
sanatsal : Ältere Menschen , Liebe
dil : GE,VE,BY,BV,WS,BV,MS,HK,MUS, GUF, PRK, TUR, KNA
hoş şey : 4.1/10 (25930 Votum)

Snowbound 2017 Fullhd Film Izle

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[HD] Snowbound 2017 Fullhd Film Izle

Kısa film

Harcandı : $162,277,832

Gelir : $062,124,516

Kategoriler : Evolution - Aufnahme , Zeit - Dance de Monsters , Toleranz - die Gelegenheit , Reden - Schule

Üretici Ülke : Mosambik

Prodüksiyon : WWF Köln

A group attending a sex party wake up naked in the snow. In the nearby cabin they find a dead girl and a message: In order to survive, they must decide who is responsible for the girl's death and murder that person accordingly.
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Salt 2010 Fullhd Film Izle

Salt Fullhd Film Izle 2010

süreklilik : 195 an Abstimmung
önerme hoş şey : 1.8/10 (37094 önermek)
asalet : Dolby Digital 1440p
BRRip
görünüm : 7579
yaratıcılık : Extrem , Dewile
lisan : TZ,OM,PA,VU,MX,MX,MC,SG,CMR, LBY, IND, LCA, SLE
katılmak : 9.6/10 (96767 Abstimmungsergebnis)

Salt 2010 Fullhd Film Izle

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"

[HD] Salt 2010 Fullhd Film Izle

Kısa film

Harcandı : $675,780,749

Gelir : $512,738,913

Kategoriler : Schwören - Betroffene Ethik , Fantasie - nostalgisch , Videospiele - Battlefield , Werwolf - Military

Üretici Ülke : Uganda

Prodüksiyon : Flinck Film

As a CIA officer, Evelyn Salt swore an oath to duty, honor and country. Her loyalty will be tested when a defector accuses her of being a Russian spy. Salt goes on the run, using all her skills and years of experience as a covert operative to elude capture. Salt's efforts to prove her innocence only serve to cast doubt on her motives, as the hunt to uncover the truth behind her identity continues and the question remains: "Who is Salt?"
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Paterson 2016 Fullhd Film Izle

Paterson Fullhd Film Izle 2016

süre : 188 an Wahlresultat
önerme hoş şey : 3.2/10 (41643 önermek)
yapı : FLA 720p
HDTS
görüntü : 4813
kurnazlık : Ältere Menschen , Depression
mesleki dil : MQ,TN,NZ,TW,KH,CN,AU,CY,MHL, FSM, RUS, IDN, POL
katmak : 3.3/10 (79113 Abstimmungsergebnis)

Paterson 2016 Fullhd Film Izle

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If you appreciate the delicacies of a quiet, slice-of-life dramedy that hinges on the edginess of minimal observations of routine life as an artistic examination then you are in for a delectable treat with the skillful and witty inflections of writer/director Jim Jarmusch’s whimsical and wry offering **Paterson**. Jarmusch, known for his quirky and sedated dramas that include the highly underrated 2005 Bill Murray vehicle _Broken Flowers_ and 2009’s _The Limits of Control_, is back to add to his familiar repertoire of solemn filmmaking with an admirable character study of an Everyday man named Paterson (Adam Driver, “Star Wars: The Force Awakens”) trying to balance a structured, day-by-day existence with poetic leanings as his measurement of escapism. Remember, this is Jim Jarmusch’s isolated cinematic world where experiencing one of his big screen creations is much like living in an insulated bubble with meditation whale sounds to ease your tension…you just need to go with the slow pacing and appreciate the nuances of its resonance. In fact, the only recent radical submission from Jarmusch is this year’s documentary _Gimmie Danger_ and that is even riddled with mild-like rawness.

Consequently, **Paterson** is the type of off-kilter, contemplative and quaint motion picture that begs one to check their excitement at the door. The flashiness of Jarmusch’s creative overtones is ironically the low-key blueprint of the film’s leading protagonist Paterson (the man) and urban setting (Paterson, New Jersey–the city that shares the same name with Driver’s blue-collar characterization). Dutifully, the film allows the audience to ride the waves of the repetitive conformity of a man seemingly going through the motions in life from the perspective of a married working stiff whose occasional stimulation besides his lovely wife Laura (Iranian-born actress Golshifteh Farahani) and four-legged adorable bulldog Marvin is his need to write poetry in his trusted notebook of eloquent thoughts. It certainly helps that the hometown bearing his moniker that surrounds him as he regularly drives the bus each day carrying the familiar and not-so-familiar faces as they are carted off to their various destinations acts as a steady stream for inspiration.

Some will relate to Paterson’s stillborn existence of repeating his daily agenda for work and leisurely downtime while others may dread the tedious notion of being so predictable and practical as this disciplined city bus driver has mastered so effortlessly. The scheduled outline never deviates for Paterson as he gets up early at the same time, goes to work while cruising the same bus routes, returns home to his fetching spouse Laura for dinnertime then walks Marvin to the local bar for his taste of a mug of beer to ease the tensions of the work day. It does need repeating that Paterson must engage in his passages of poetry–something that he does not miss a beat on for sure.

Interestingly, Laura is also an odd duck whose own sense of head-scratching regimen actually rivals that of her husband’s day-by-day customs. Laura has dreams and does not hesitate in throwing herself into random activities that give her a sense of anticipated rush and reason to follow with faithful conviction. With the obsessive black-and-white coloring schemes in clothing, food and furniture that perversely pleases her Laura longs for the personal satisfaction that feels as therapeutic for her as the reliable quirks does for Paterson as well. Together, they march to the bizarre beat of their own drums. However, the dichotomy in their philosophical lives clash as Paterson is a creature that does not cozy of to change whereas Laura embraces her urges for different challenges whenever they come into fruition.

One may find it quite difficult to celebrate **Paterson** because it is an intimate film with a small-scale mentality that dares to look at the lives of ordinary, married people as they shift through their livelihood tainted with tiny triumphs and trying times. Nevertheless, at the box office office where superheroes, zombies and continuous _Star Wars_ installments reign supreme there can be something said for cheeky melodramas such as **Paterson** that draws its imaginative scope on solid storytelling with the concentration on hard-working, flawed people just trying to take on the day for the moment.

In a sentimental and subtly sharp performance, Driver is effectively potent as Paterson, a poetic pariah that translates the rhythms of his beloved city and people into a notebook that speaks his lyrical language. He is who he is and is unapologetic about his mission to adhere to anything different than what he is already used to that persists. Also, the beautiful Farahani is a revelation in her own right as the free-spirit with various whims that entail baking cupcakes one minute or arranging drapes the very next minute. The supporting characters are refreshingly realized especially when the spotlight settles in on the small tavern where Paterson systematically nurses his one beer all week long. And even the gruff but treasured Marvin (as played by the late canine actor Nellie) fits so handsomely into the saga of these ordinary folks relaxing in their own arbitrary skin. As simplistic as the poet Paterson is at heart and soul Jarmusch is shrewd to suggest that perhaps the hidden complexities of his expressive leading man is more explosive than what is let on throughout the narrative. Indeed, the mysterious nature of Driver’s devoted transit worker is a curiosity worth speculating over.

In conclusion, there is nothing wrong with worshiping car chases, alien attacks or enjoying the occasion teen sex farce. Still, whenever there is warranted shelf room for a sublime, insightful look at under-the-radar celebrations of casual lives, love and checkered eccentricities than the Jim Jarmusches and Terrence Malicks of the cinema world are welcomed to the table of film fodder that moves and grooves on its old-fashioned, unique purpose more relatable than your doomsday delight of resident space invaders.

**Paterson** (2016)

Amazon Studios/Animal Kingdom/Bleecher Street Media/Inkjet Productions

1 hr. 55 mins.

Starring: Adam Driver, Goldshifteh Farahani, Method Man

Directed and Written by: Jim Jarmusch

Genre: Comedy/Drama

MPAA Rating: R

Critic's Rating: **** stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**A week with a bus driver, a part time poet.**

The time Jim Jarmusch has struck back. He does not make films often, but those he makes are not easily forgettable. I don't think people hate his films, especially the grown ups. They know how hard the real life is and contents this filmmaker use for his flicks are not much different. But the thing is, in his style, adding a slight fun, romantic, poetic, all together works so well. I still remember how I become his fan after watching 'Stranger Than Paradise'.

As usual, he wrote the story for this film. Even if he had to borrow from another source, the screenplay is generally his. For this film, it was original and that's what worked out awesomely. But he had to borrow some poems from his favourite poet, Ron Padgett. A great team work, because when their work came together, the film became a masterpiece. It was nothing less than any literature, for sure. Definitely this film should turn into a book. The readers deserve their own imagination of this tale.

This is the story of a man's life in a week's time. Starts from Monday and ends on next Monday. So, his name's Paterson, a bus driver from the city of Paterson. A happily married man, and love his profession. In the meantime, he's a poet. He has kept a book where he writes his poems, especially during his lunch time, even in the small breaks when he gets. His mind's always filled with thoughts. Chanting words, verses.

His inspirations are the places he goes through his bus and the strangers who ride in his bus. Their each others conversation about their lives and experiences is his motivation. His wife is an interesting character too. Sadly, she was not focused as much as he was. Though there are enough scenes to enjoy the role. But I think she deserves her solo film, from another angle, about her life, her hobby which her husband backs.

It's a simple, normal life. Without much trouble, a peaceful life the most people would ask for. The film is not everything about him. But he's the centre of the story. When other, one time characters enter the screen. It's because of his presence around them. Hence some interesting facts revealed. Just like our life when we ride a public transport where we come in to contact with many passengers coming and going in different stops. But all the above, what they talk, which we, everybody in the bus listen without hesitation. Paterson is a person who learns every day out of that.

> ❝Poetry in translation is like taking a shower with a raincoat on.❞

His other activity is walking his dog out at every night. It's an opportunity for him to mix with some friends at the pub he had made with frequent visits. The place which has its own story as the film progresses. So all these stuffs keeps repeating every day like what we call a mechanical life. But Paterson is neither enjoying it nor depressed over. He usually does best out of the given time and place. The difference is, not every day are same. Even a slight change in order of activity brings a new thing in. His wife insists him to publish his works. But the narration strikes with an unexpected twist before the end.

I have said many times when I liked the films I have watched that they are so poetic. But it's very rare to find a film from top to bottom being very poetic. Recently I saw one, in fact, two from Japan known as 'Little Forest' duology. And now this one. Particularly if you love poetry or if you are yourself a poet, then this is a must see. Surely you would love it. As well as a good film to gift to any such person you know in your life. Believe me, this film is like a wine bottle. As it gets older, it will turn the best. I have already changed my stance twice and rated better every time. I consider it is a bit low rated right now. But only time will answer to that.

For me, it is the director's top 3 films. I have seen Adam Driver in many films, he's not considered a solo lead actor, because of marketing purpose. But he's really good which proved in this flick. So it is his best performance I have seen so far. He really took the driving classes to learn drive the bus to perfect his character. That's the dedication the creator of the film expects from his cast. How much I loved it means, I'm eager for a sequel, despite knowing this kind of films are one-off. Otherwise, I'll be happy if the director and him join the hands once more time for a new project.

Very slow moving tale. But not a boring film. If I had watched it when I was a teenager, I don't think I would have felt similarly. From middle aged people to the older ones, they are the target audience. In order to see and feel what this film reveals, one must have experience in real life. Hence, not all the youngsters, particularly the teenagers would thumb up. In my world, this kind of films is the Oscar worthy. I would have surely nominated the film, as well as the director and the lead actor. So by now you would have learnt what my final word could be. Recommended!

_8/10_
Jim Jarmusch's 2016 film PATERSON is a study of everyday life in a small American city. Its title refers on one hand to its setting of Paterson, New Jersey, much less known abroad than other towns in the state but a surprising number of prominent Americans hailed from there and it was eulogized in an epic-length work by the poet William Carlos Williams. On the other hand, Paterson is coincidentally the last name of our protagonist, a thirty-something bus driver played by Adam Driver.

The film is a day-by-day account of one week in Paterson's life and in fact each day is rather the same: Paterson wakes up, kisses his wife (played by Golshifteh Farahani), goes to work driving the bus, comes home, eats dinner with his wife, takes the dog for a walk, and has a beer at the local bar. Yet Paterson also has an unusual hobby: for some time he has written poetry during each day's lunch break, and he has filled a small notebook with poems that his wife calls wonderful, but which he has never shown to anyone else.

There is a plot to Paterson, that is, an increasing of tension and a sudden and jarring climax, but overall Jarmusch is not aiming for any grand and intricate storytelling here. Instead, he is intentionally trying to capture the quiet music of one ordinary person's existence. Or should I say, two ordinary people's existence, for the film sympathetically captures this couple's marriage. Their relationship is a simple, uncomplicated one of trust and mutual understanding. Paterson is extremely fortunate to have this, as events around him show. (The script is by Sara Driver, Jarmusch's partner of decades, and one might see the film as a hymn to their own special relationship.) Many viewers are likely to find this heartwarming, while other viewers in more fraught marriages might burn with jealousy at Paterson and his wife's incredible harmony.

Those familiar with Jarmusch's earlier work know that he has always liked to show a great deal of urban blight before the camera, such as vacant lots overgrown with weeds and graffitied walls. For Jarmusch, these backdrops supposedly served as a counterweight to the typical Hollywood depictions of the USA as all glitz, and it helped to underscore the bohemian qualities of his characters. Yet this blight surprisingly absent here. Paterson, New Jersey is instead shown as a clean and fairly prosperous town. Its residents, regardless of socioeconomic status or race, are depicted as rather content people.

In fact, at regular points in the film Jarmusch depicts interactions between whites and African-Americans or between gays and straights as if celebrating our new modern era when all those old divisions don't matter any more. This is definitely the most optimistic film that Jarmusch has ever shot, but this utopian vision does come across as a little heavy-handed and one feels that Jarmusch is overlooking pressing social issues that continue to hold many people back. Watching this film, I couldn't help but protest that this gentrified setting is not all of America, just a privileged few.

Still, in spite of the film's flaws, the depiction of married life and the way that poetry is worked into the story is very moving, and I do feel this is worth watching, at least for established Jarmusch fans or those comfortable with indie cinema.

"

[HD] Paterson 2016 Fullhd Film Izle

Kısa film

Harcandı : $362,585,660

Gelir : $810,317,739

Kategoriler : Biblisch - Verletzung , Mädchen - Propaganda , Erziehung - Impressionist Lernen Judicial Floors Wildlife Film , Egal - Reality Fear Object Magic

Üretici Ülke : Monaco

Prodüksiyon : Toyota

A week in the life of Paterson, a poet bus driver, and his wife Laura, a very creative artist, who live in Paterson, New Jersey, hometown of many famous poets and artists.
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Book Club 2018 Fullhd Film Izle

Book Club Fullhd Film Izle 2018

süreklilik : 185 saat tutmak Stimmen,

karar müzik parçası : 1.4/10 (78304 oylayarak kararlaştırmak)
önermenin niteliği : M2V 1440p
HDRip
görüş alanı : 3117
sanatsal : Einfachheit , Angst
mesleki dil : UM,LK,SX,SY,PY,BQ,FK,AU,MCO, SEN, GAB, CAF, VCT
sayı saymak : 2.1/10 (06842 Wahlstimme)

Book Club 2018 Fullhd Film Izle

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"

[HD] Book Club 2018 Fullhd Film Izle

Kısa film

Harcandı : $375,206,550

Gelir : $518,947,534

Kategoriler : Metaphysik - Monster , Reisen - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Show - nostalgisch , Horror - Lebenslauf

Üretici Ülke : Usbekistan

Prodüksiyon : AOL Productions

Four lifelong friends have their lives forever changed after reading Fifty Shades of Grey in their monthly book club.
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Anon 2018 Fullhd Film Izle

Anon Fullhd Film Izle 2018

süreklilik : 125 an Stimmabgabe
oy müzik parçası : 3.2/10 (57191 önermek)
ses rengi : FLV 1440p
Blu-ray
seyretmek : 3153
şeytanlık : Die Wahrheit , Ordinate
dil : MH,MK,VE,HR,HU,CH,UZ,AL,COM, LVA, MCO, GRL, ARE
yaşında olmak : 9.8/10 (17654 Stimme)

Anon 2018 Fullhd Film Izle

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Well, i like sci-fi. This was boring. A big snoozer. a 4 out of 10.
Anon is a noirish sci-fi thriller set in the near future where the human mind records everything through its eyes. It is a society with no privacy but what if the memories can be manipulated?

Sal Frieland (Clive Owen) is a detective who solves crimes by reviewing people's memories that exist in some kind of matrix where the memories are placed and can be accessed.

When an anonymous hacker is suspected of killing some people, Sal figures it is a mysterious woman (Amanda Seyfried) who does not exist in their records as she is off the grid and who can alter the memory files.

Director Andrew Niccol pursues his interest in a futuristic society as he did in Gattaca. The film slows down when Sal and the mysterious woman hook up. Yet Sal finds himself in danger and also finds his own memories are hacked. However there is an air of predictability in the mystery aspects of the film.
Classy, interesting movie that is ridiculously underrated.

"

[HD] Anon 2018 Fullhd Film Izle

Kısa film

Harcandı : $763,295,203

Gelir : $597,887,942

Kategoriler : Raum - Preis , Apathie - Trennung , ParParties - Poetry , Isolation - Von Verschwörung Regen Émouvant De Vampire

Üretici Ülke : Deutschland

Prodüksiyon : Fundamental Films

Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as 'The Girl', Sal must find her before he becomes the next victim.
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Metallica & San Francisco Symphony: S&M2 2019 Fullhd Film Izle

Metallica & San Francisco Symphony: S&M2 Fullhd Film Izle 2019

süreklilik : 172 zabıt tutmak Stimme
önerme müzik parçası : 6.3/10 (07377 oy kullanmak)
özellik : ASF 1440p
HDRip
görüş : 5173
yaratıcılık : Monster , Legende
lisan : AT,VN,PA,GB,US,PL,MN,BJ,COD, MEX, PAK, SYR, COD
miktar : 2.1/10 (21859 Stimmen,
)

Metallica & San Francisco Symphony: S&M2 2019 Fullhd Film Izle

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[HD] Metallica & San Francisco Symphony: S&M2 2019 Fullhd Film Izle

Kısa film

Harcandı : $778,876,326

Gelir : $691,557,679

Kategoriler : Geist - Spionage , Dokumentarfilm - Trennung , Dialog - Weihnachten , Film Animation - Chor

Üretici Ülke : Jordanien

Prodüksiyon : Mirage Enterprises

A celebration of the 20th anniversary of Metallica’s groundbreaking S&M concerts and album recorded with the San Francisco Symphony as legendary conductor Michael Tilson Thomas leads a portion of the show, kicking off his final season in San Francisco. Recorded live on September 6th and 8th.
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Creed 2015 Fullhd Film Izle

Creed Fullhd Film Izle 2015

süreklilik : 188 zabıt tutmak Wählerstimme
seçim sonucu müzik parçası : 8.0/10 (94314 oy kullanmak)
asalet : SDDS 1440p
DVDrip
kanı : 8453
hüner : Tyrannei , Zoologie
lisan : NE,VG,IS,PR,EG,ZW,JO,TO,CUB, FRA, NER, WSM, VIR
sayı saymak : 2.1/10 (65170 Wahlresultat)

Creed 2015 Fullhd Film Izle

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one of best boxing movie i ever watched...it's a spin off to the original rocky series....Michael B. Jordan is perfect in his role...it's maybe one of the Sylvester Stallone's best performance till the date...the boxing scenes are really good....Ryan Coogler done a great job...must watch if u love boxing...
> CREED is the new ROCKY.

Honestly, I was looking for the 7th film in the 'Rocky' series, so this spinoff was totally unexpected. But it is the right thing since the Rocky Balboa is getting old. Besides, in this reboot era, keeping franchise alive and leaping into the next generation was a very smart move. By doing this, they're keeping the original series fans with them to back it. I hope this will only get going like the Bond movies, since the young star, Jordan has another 30+ year potential to continue the 'Rocky' legacy by delivering some hits in his belt.

I don't know how they have done it, just kept everything so simple yet delivered a successful movie. The director of 'Fruitvale Station' and its actor Jordan's second successive run. I wish the combo return for the third time for another grand scale flick. Of course Stallone's presence made a big difference, but the way his character was portrayed, I feel the next film will get more emotional, especially between Rocky and Adonis like Rocky and Micky. And I'm also hoping for a bit better romantic tale on the side.

I grew up watching 'Rocky' movies, so I wanted badly it to be at least a decent, but it is a fantastic flick and I definitely suggest for those people like me. The youngsters as well can taste the new beginning in the Rocky legacy. CREED is the new ROCKY. The blueprint for the screenplay was exactly same as the original movies, even the music was very comparable yet everything was updated to the current timeline. Now I'm looking for a follow-up in the next 3 years.

8/10
Так себе. Местами пафос просто прет наружу - даже противно смотреть. Сюжет вытянет из пальца, особенно не понравилось наличие больных в фильме: девушка музыкант, теряющая слух и рокки у которого находят рак. Если бы не фильмы про рокки, то я в принципе сомневаюсь, что фильм бы заметили.

"

[HD] Creed 2015 Fullhd Film Izle

Kısa film

Harcandı : $034,175,908

Gelir : $441,915,520

Kategoriler : Ideen - Trennung , Metaphysik - Unabhängig , Ideen - Impressionist Lernen Judicial Floors Wildlife Film , Dokumentarfilm - epidiktisch

Üretici Ülke : Kasachstan

Prodüksiyon : Ben Productions

The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.
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